Biography
Born 1956, Birmingham, AL

Robin Clark’s work combines intellectual subtlety and powerful visual intrigue. Questions about power and symbology, the character and history of the United States, and the relationship between the contemporary art world and its market are embedded in his work. Clark’s most recent project involves currency with delicately scraped away surfaces. Like elusive poems, the remains of images and words–a blankly staring face, a single chair, two trees –hover in the suggestively denuded surrounding space. Along with these “erasures,” Clark exhibits vials containing the powdery ink from the scraped surfaces; the familiarity of our daily currency made strange. In other works, he draws on collaged ghostly bills using only the scraped currency ink as pigments.
Though his last fifteen years and more have been devoted to art, Clark began his career as a filmmaker. He studied with Hollywood writer/director Abraham Polonsky, and received a BA in Film Direction from San Francisco State University. Among many other venues his work has been shown at the Cannes Film Festival, The Academy of Motion Picture Arts and Sciences, and the Sundance Film Festival. Robin Clark’s currency works have been exhibited in museums across the country, from LACMA to the Federal Reserve Board in Washington, D.C.
In recent years, Clark’s early film work and collaboration with Doris Fish have become the subject of renewed critical and cultural interest. His role in the making of Vegas in Space is discussed extensively in Craig Seligman’s book Who Does That Bitch Think She Is?, particularly in its later chapters addressing the film and Fish’s final years. The book has since been optioned for adaptation by Jonathan Fernandez and Marty Sokol, with a screenplay in development by Michael Verrati and Joshua Grannell. In parallel, Clark appears throughout the forthcoming documentary Dear Doris, directed by Scott Braucht and Academy Award nominee Janique Robilliard, which examines Fish’s life, work, and legacy and is scheduled for release in 2026.
Clark lives and works in the U.S.
| Cultural Currency: Riemer Collection | 2026 | Irving Arts Center |
| Academy of Motion Pictures Arts and Sciences – Vegas in Space | 2025 | Ted Mann Theater - Academy of Motion Pictures of Arts and Sciences |
| Science Friction 12: Vegas in Space | 2025 | SIE Film Center |
| Cultural Currency: Contemporary Art from the Riemer Collection | 2025 | Salina Art Center |
| Cultural Currency: Contemporary Art from the Riemer Collection | 2025 | Ellen Noël Art Museum, Odessa, TX |
| Manchester LGBTQ+ Film Festival | 2025 | 2 Tony Wilson Place |
| Cultural Currency: Contemporary Art from the Riemer Collection | 2024 - 2025 | Carlsbad Museum |
| Space Truckers / Vegas in Space | 2024 | Armand Hammer Museum / Billy Wilder Theater |
| Money– the ultimate form of conceptual art. | 2024 | Franklin G. Burroughs • Simeon B. Chapin Art Museum |
| Cultural Currency Riemer Collection | 2024 | Loveland Museum |
| Mardi Gras Film Festival | 2023 | Queer Screen Mardi Gras Sydney |
| Cultural Currency | 2023 | Leigh Yawkey Woodson Art Museum |
| Cultural Currency: Contemporary Art from the Riemer Collection | 2022 | Bedford Gallery |
| Art and Currency | 2017 - 2018 | LCD Gallery 114 N. Main Street, 5th Floor Houston, TX. 77002 |
| IFC Film Center: Sasha Velour presents VEGAS IN SPACE | 2019 | IFC Film Center |
| DHR Illuminations Commission | 2016 - 2019 | DHR Investment Counsel |
| Fiber Arts Masterworks | 2016 | Fresno Art Museum |
| ArtSource Consulting Exhibition Programs | August - November 2013 | The Swig Company, Mills Building, San Francisco, CA |
| Dillon Gallery upcoming | ||
| Dillon Gallery Summer Group | 2013 | Dillon Gallery, New York, NY |
| Love Me Tender | 2013 | Bellevue Arts Museum |
| Art Miami | 2012 | Dillon Gallery, Miami, Florida |
| Gallery Artists Show | 2011 | Dillon Gallery, New York City |
| The Constant Possibility of Erasure | 2007 | Dorsky Gallery Curatorial Programs, Long Island City, NY |
| DHR Commisions | 2007 - 2015 | DHR Investment Council, Berkeley, California |
| Trading Places: The Art of Financial Exchange | 2006 | New York Mercantile Exchange, New York, NY |
| It’s the Money Stupid ! | 2008 | Sherry Frumkin Gallery |
| Currency: Art as Money/Money as Art | 2006 | The Mary Brogan Museum of Art and Science, Tallahasee, FL |
| Money Changes Everything | 2006 | Schroeder Romero Gallery, New York, NY |
| Variations on a Theme: Money | 2005 | City of Brea Art Gallery, CA |
| Miraculous:Contemporary Exvoto Paintings | 2003 | chezTGN Gallery, Brooklyn, NY |
| New Work | 2003 | Limn Gallery, San Francisco, CA |
| Take Out | 2003 | Zabriskie Gallery, New York, NY |
| Money & Value / The Last Taboo | 2002 | Biel, Switzerland, Harald Szeeman - Curator. |
| Show Me the Money | 2002 | Fresno Metropolitan Museum, Fresno Ca, Blanden Memorial Art Museum, Fort Dodge, IA, Palm Springs Desert Museum, Palm Springs, CA, Naples Museum of Art,Naples, FL |
| Obsessions | 2001 | University of California, San Diego, CA |
| Show Me the Money | 2001 | Trust for Museum Exhibitions, Washington, D.C. |
| Made in California: Art, Image and Identity, 1900-2000 | 2000 | LACMA, Los Angeles, CA |
| MoneyMaking, the Fine Art of Currency at the Millennium | 2000 | Federal Reserve Board, Washington D.C., traveling: Contemporary Art Center, VA, Boston Federal Reserve Bank, Boston. |
| Frankfurt Art Fair | 2000 | Sherry Frumkin Gallery, Frankfurt, Germany |
| Artist in Residence | 1999 | Millay Colony for the Arts, Austerlitz, NY |
| Making Change: Artists Interpret the Tzedekah Box | 1999 | The Jewish Museum, San Francisco, CA |
| Seeing Money | 1999 | 403 NW Fifth, Portland, OR |
| On the Money | 1999 | SFMOMA Rental Gallery, San Francisco, CA |
| On the Money | 1998 | Sherry Frumkin Gallery, Santa Monica |
| Haas Creative Work Fund, Finalist | 1996 | Walter and Elise Haas Foundation, San Francisco, CA |
| Discards | 1995 | Sheryl Haines Gallery, San Francisco, CA |
| Narrator, An Opera by Kui Dong | 1995 | Stanford University, Palo Alto, CA |
| Artist in Residence | 1994 | Djerassi Foundation, Woodside CA |
| New Work | 1994 | Mace Space for Art, San Francisco, CA |
| Vegas in Space | 1994 | Cinemax , HBO, Science Fiction Film Festival |
| Dolls, (Aristic Director, Director of Photography) | 1993 | Broadway Theater, San Francisco, CA |
| Vegas in Space | 1993 | Sundance Film Festival,Park City, Utah |
| Vegas in Space | 1993 | Cannes Film Festival,Cannes France |
| Vegas in Space | 1993 | Theatrical Release - New York, Los Angeles, Detroit, Chicago, San Diego, San Francisco |
| Vegas in Space | 1991 | Castro Theater, Roxie Cinema, San Francisco, CA |
| Film Arts Foundation | 1990 | ( Completion Grant ), San Francisco, CA |
| Ferguson Award | 1987 | Ferguson Award, Friends of Photography, San Francisco, CA |
| Whatever Happened to Susan Jane | 1984 | Dir: Marc Huestis, Actor, San Francisco, CA |
| Donald Munro | "10 things that wow in new Fresno Art Museum fiber arts show." | The Fresno Bee | May 15, 2016 |
| Brian Miller | "The Fussy Eye: Keep the Change" | Seattle Weekly | April 9, 2013 |
| Nancy Worssam | "‘Love Me Tender’: artistic meditations on money" | The Seattle Times | March 8, 2013 |
| n/a | "“Currency as Art: Love Me Tender” at the Bellevue Arts Museum explores humankind’s obsession" | ArtDaily.org | March 11, 2013 |
| Jan Sjostrom | "Art Miami adds cutting-edge sister fair: Context" | Palm Beach Daily News | December 6, 2012 |
| Town, Justin | "In the Black with Robin Clark" | GottaHandit Blog | Dec. 21, 2011 |
| Holland Cotter | "The Constant Possibility of Erasure" | New York Times | January 19, 2007 |
| R.C. Baker | "Wiped Out – Best in Show" | The Village Voice | December 14, 2006 |
| Ken Johnson | "Money Changes Everything" | New York Times | December 13, 2006 |
| Michael Christopher | "Money talks and talks…." | Desert Post | June 20, 2002 |
| Judy Cantor | "Show Me The Money" | Gulfshore Life | April 2002 |
| Neil Kendricks | "Obsessions at the University Art Gallery UCSD" | ArtWeek | April 2001 |
| Dawna Bratten | "A Procession of Obsessions" | Village News | February 14, 2001 |
| Mary Anne Goley | "MoneyMaking, The Fine Art of Currency at the Millenium" | Board of Governors of the Federal Reserve Board | 2000 |
| Deborah Gar Reichman | "Making Change" | The Jewish Museum San Francisco Essays | 1999 |
| Weschelr, Lawrence | "Boggs – A Comedy of Values" | University of Chicago Press | 1999 |
| Mel Wacks | "No Respect for Money" | COINage | April 1999 |
| Glen Helfland | "On the Money" | Sidewalk San Francisco | April 20, 1999 |
| Kay Marie Jacobson | "ART: Good Green Fun" | SFGate | April 10, 1999 |
| Louise Sherman | "What’s Hanging in the Galleries" | The Galleries - BRNTWD | January 1999 |
| Peter Frank | "On the Money, Christopher Doyle, Viggo Mortensen" | LA Weekly | January 1-7, 1999 |
| Leah Ollman | "Seven Artists Creatively Follow the Money at Bergamont Station" | Los Angeles Times | December 25, 1998 |
| Harry Roche | "‘On the Money’ at the SFMoma Rental Gallery" | Artweek | June 1999 |
| Cover Photo | "Two Dollar Bill of Rights" | Arts Monthly | November 1993 |
| David E. Williams | "Follies Bizarre" | Film Threat | August 1993 |
| Barry Walters | "Vegas in Space is testimony to the Talents of Doris Fish" | S.F. Examiner | September 1993 |
| Mike Downey | "Major Tom has a Sex Change" | Moving Pictures International | February 25, 1993 |
| "Fall Entertainment" | Bay Guardian | September 1993 | |
| Adam Block | "Radical Rentals" | OUT | November 1993 |
| "There Goes the Galaxy" | The Advocate | August 24, 1993 | |
| Murgatroyd | "Buzz" | Movieline | Jully 1993 |
| "Some Like it Hot" | SF Weekly | July 23, 1993 | |
| Mr. Dan | "Mr. Dan talks with Miss X" | Spunk | May 21, 1993 |
| Mr. Dan | "Dragship" | Spunk | July 2, 1993 |
| Fiona Scott-Morman | "Vegas in Space" | Impress | August 8, 1992 |
| Alberto Farassino | "Si, Jules ama Jim" | Spettacoli | 8 Aprille, 1992 |
| Patricia GrandJean | "Life and Life Style, Wit and Humor" | New York Times | May 31 1992 |
| Christopher Culwell | "Smarmy, Garish and Wonderful" | San Francisco Sentinel | October 17, 1991 |
| Kate Bornstein | "The Most Glamourous Opening of the Decade" | Bay Area Reporter | October 10, 1991 |
| Kevin Thomas | "Vegas: a Far Out Sci-fi Spoof" | Los Angeles Times | August 27, 1993 |
| Bonnie Steiger | "Vegas in Space" | Independent | October 24, 1991 |
| Mick Lesalle | "The A-Go-Go’s Go to Space" | S.F.Chronicle | October 25, 1991 |
| Doris Fish | "Behind the Scenes" | San Francisco Sentinel | 1989 |